Broadway Musical Miss Saigon
13.12.2017 - 14.01.2018 | Broadway Theatre
Miss Saigon is a musical by Claude-Michel Schönberg and Alain Boublil.
In April 1975 at `Dreamland,` a Saigon bar and brothel, shortly before the end of the Vietnam War, it is Kim`s first day as a bargirl. The seventeen-year-old peasant girl is hauled in by the Engineer, a French-Vietnamese hustler who owns the joint. Backstage, the girls ready themselves for the night`s show, jeering at Kim`s inexperience (`Overture`). The U.S. Marines, aware that they will be leaving Vietnam soon, party with the Vietnamese prostitutes (`The Heat Is on in Saigon`). Chris Scott, a sergeant disenchanted by the club scene, is encouraged by his friend John Thomas to go with a girl. The girls compete for the title of `Miss Saigon,` and the winner is raffled to a Marine. Kim`s guilelessness strikes Chris. Gigi Van Tranh wins the crown for the evening and begs the marine who won the raffle to take her back to America, annoying him. The showgirls reflect on their dreams of a better life (`Movie in My Mind`). John buys a room for Chris and the virgin Kim (`The Transaction`). Kim is reluctant and shy, but dances with Chris. Chris tries to pay her to leave the nightclub. When the Engineer interferes, thinking that Chris does not like Kim, Chris allows himself to be led to her room (`The Dance`).
Chris, watching Kim sleep, asks God why he met her just as he was about to leave Vietnam (`Why, God, Why?`). When Kim wakes up, Chris tries to give her money, but she refuses, saying that it is her first time sleeping with a man (`This Money`s Yours`). Touched to learn that Kim is an orphan, Chris offers her to come and live with him. The two fall in love (`Sun and Moon`). Chris tells John that he is taking leave to spend time with Kim. John warns him that the Viet Cong will soon take Saigon, but then reluctantly agrees to cover for Chris (`The Telephone Song`). Chris meets with the Engineer to trade for Kim, but the Engineer tries to include an America visa in the deal. Chris forces the Engineer at gunpoint to honour the original arrangement for Kim (`The Deal`).
The bargirls hold a `wedding ceremony` for Chris and Kim (`Dju Vui Vai`), with Gigi toasting Kim as the `real` Miss Saigon. Thuy, Kim`s cousin, to whom she was betrothed at thirteen, arrives to take her home. He has since become an officer in the North Vietnamese Army and is disgusted to find her with a white man (`Thuy`s Arrival`). The two men confront each other, drawing their guns. Kim tells Thuy that their arranged marriage is now nullified because her parents are dead, and she no longer harbours any feelings for him because of his betrayal. Thuy curses them all and storms out (`What`s This I Find`). Chris promises to take Kim with him when he leaves Vietnam. Chris and Kim dance to the same song as on their first night (`Last Night of The World`). On the night when Saigon falls, Chris is forced to evacuate without Kim, leaving her at the gate.
Three years later in 1978, a street parade is taking place in Saigon (since renamed Ho Chi Minh City) to celebrate the third anniversary of the reunification of Vietnam and the defeat of the Americans (`Morning of The Dragon`). Thuy, a commissar in the new Communist government, has ordered his soldiers to look for the still-corrupt Engineer. Thuy orders the Engineer to find Kim and bring her to him. Kim is still in love with Chris and has been hiding in an impoverished area, steadfastly believing Chris will return to Vietnam and rescue her. Meanwhile, Chris is in bed with his new American wife, Ellen, when he wakes from a dream shouting Kim`s name. Ellen and Kim both swear their devotion to Chris from opposite ends of the world (`I Still Believe`).
A week later, Thuy`s soldiers find the Engineer somewhere up north. For the Communist Party, he goes by the name `Tran Van Dinh` and has spent the past three years working in the rice fields. The Engineer takes Thuy to where Kim has been hiding. Kim refuses Thuy`s renewed offer of marriage, unaware that his men are waiting outside the door. Furious, Thuy calls them in and they begin tying up Kim and the Engineer, threatening to put them into a reeducation camp. Kim introduces him to Tam, her three-year-old son from Chris. Thuy calls Kim a traitor and Tam an enemy, and tries to kill Tam with a knife, but Kim pulls out a gun and kills Thuy (`You Will Not Touch Him`). She flees with Tam (`This Is the Hour`) and tells the Engineer what she has done (`If You Want to Die in Bed`). The Engineer refuses to help her until he learns that Tam`s father is American (`Let Me See His Western Nose`) – thinking the boy is his chance to emigrate to the United States. He tells Kim that now he is the boy`s uncle, and he will lead them to Bangkok. The three set out on a ship with other refugees (`I`d Give My Life for You`).
In Atlanta, Georgia, John now works for an aid organisation whose mission is to connect Bui-Doi (from Vietnamese trẻ bụi đời `street children,` meaning children conceived during the war) with their American fathers (`Bui Doi`). John tells Chris that Kim is still alive, which Chris is relieved to hear after years of having nightmares of her dying. He also tells Chris about Tam and urges Chris to go to Bangkok with Ellen. Chris finally tells Ellen about Kim and Tam (`The Revelation`). In Bangkok, the Engineer is hawking a sleazy club where Kim works as a dancer (`What A Waste`). Chris, Ellen, and John arrive in search of Kim. John finds Kim dancing at the club, and tells her that Chris is also in Bangkok. He then tries to tell her that Chris is remarried, but Kim interrupts. She is thrilled about the news and tells Tam that his father has arrived, believing that they are to go to America with Chris. Seeing Kim happy, John cannot bring himself to break the news to her, but promises to bring Chris to her (`Please`, replaced with `Too Much for One Heart` [same melody] in 2014 London revival).
The Engineer tells Kim to find Chris herself, because he doubts that Chris will come (`Chris Is Here`). Kim is haunted by the ghost of Thuy, who taunts Kim, claiming that Chris will betray her as he did the night Saigon fell. Kim suffers a horrible flashback to that night (`Kim`s Nightmare`).
In the nightmare/flashback to 1975, Kim remembers the Viet Cong approaching Saigon. As the city becomes increasingly chaotic, Chris is called to the embassy and leaves his gun with Kim, telling her to pack. When Chris enters the embassy, the gates close, as orders arrive from Washington for an immediate evacuation of the remaining Americans. The Ambassador orders that no more Vietnamese be allowed into the Embassy. Kim reaches the gates of the Embassy, one of a mob of terrified Vietnamese trying to enter. Chris calls to Kim and is about to go into the crowd to look for her, but John is eventually forced to punch Chris in the face to stop him from leaving. Chris is put into the last helicopter leaving Saigon as Kim watches from outside, still pledging her love to him (`The Fall of Saigon`).
Back in 1978 Bangkok, Kim joyfully dresses in her wedding clothes (`Sun and Moon [Reprise]`) and leaves the Engineer to watch Tam while she is gone. She goes to Chris`s hotel room, where she finds Ellen. Kim mistakenly thinks that Ellen is John`s wife, but Ellen reveals that she is Chris`s wife. Kim is heartbroken and refuses to believe Ellen. Ellen asks Kim if Chris is the father of Tam, and Kim confirms. Kim says that she does not want her son to continue living on the streets and pleads that they take Tam with them back to America, but Ellen refuses, saying that Tam needs his real mother, and Ellen wants her own children with Chris. Kim angrily demands that Chris tell her these things in person, and runs out of the room (`Room 317`). Ellen feels bad for Kim, but is determined to keep Chris (`Now That I`ve Seen Her`, originally `Her or Me`, replaced with `Maybe` [completely new lyrics and melody] for the 2011 Dutch revival).
Chris and John return, having failed to find Kim. Ellen tells them both that Kim arrived and that she had to tell Kim everything. Chris and John blame themselves, realising that they were gone too long. Ellen also tells them that Kim wants to see Chris at her place, and that she tried to give away her son to them. John realises that Kim wants Tam to be `an American boy.` Ellen then issues an ultimatum to Chris: Kim or her. Chris reassures Ellen, and they pledge their love for each other. Chris will leave Tam and Kim in Bangkok but offer them monetary support from America. John warns that Kim will not find it acceptable to have Tam stay in Thailand (`The Confrontation`). Back at the club, Kim lies to the Engineer that they are still going to America (`Paper Dragons`). The Engineer imagines the extravagant new life that he will lead in America (`The American Dream`). Chris, John, and Ellen find the Engineer and he takes them to see Kim and Tam.
In her room, Kim tells Tam that he should be happy because he now has a father. She tells him that she cannot go with him but will be watching over him (`This Is the Hour [Reprise]`, referred to as `Little God of My Heart` on the 2014 London revival recording, though those words are not contained in the lyrics). Chris, Ellen, John, and the Engineer arrive just outside her room. The Engineer comes in to take Tam outside to introduce Tam to his father. While this is happening, Kim steps behind a curtain and shoots herself. As she falls to the floor, everyone rushes into the room at the sound of the gunshot and find Kim mortally wounded. Chris picks up Kim and asks what she has done. She asks him to hold her once more and repeats something that he said to her on the first night they met: `How in one night have we come so far?` and dies in his arms (`Finale`).
Dates December 2017
Dates January 2018
Miss Saigon is a musical by Claude-Michel Schönberg and Alain Boublil.
In April >> Read more
Dates December 2017
Dates January 2018
The Broadway Theatre is one of only five playhouses that front on the street named Broadway. It opened in 1924 as B. S. Moss’s Colony, a premiere film house. The most notable film that played there in the early years was Walt Disney’s Steamboat Willie which opened in 1928, and introduced American audiences to an adorable rodent named Mickey Mouse. The theatre went “legit” from 1930 to 1934, when it was re-christened the Broadway. From 1934 to 1940, the house was once again dedicated to motion picture exhibition, and offered the premiere of Disney’s Fantasia in 1939. In 1940, however, it returned to legitimate stage production and, except for a brief stint as a Cinerama movie theatre in the 1950s, has remained in the business of showcasing live theatre ever since.
Cole Porter and Herbert Fields’s The New Yorkers (1930) starring Jimmy Durante was the inaugural theatrical production at the Broadway. It was followed by Vanities (1932) with Milton Berle.
Rodgers and Hart’s Too Many Girls transferred here from the Imperial in 1940, the first of many long-running shows to move to the Broadway from other theatres. Others include My Sister Eileen (1942) from the Biltmore, the Gertrude Lawrence tour of Lady in the Dark (1943) from the road, South Pacific (1953) from the Majestic, The Most Happy Fella (1957) from the Imperial, Funny Girl (1966) from the Winter Garden, Cabaret (1968) from the Broadhurst, Mame (1969) from the Winter Garden, Fiddler on the Roof (1972) from the Imperial, and The Wiz (1977) from the Majestic.
The 1940s and 1950s saw some significant premieres. Irving Berlin’s hugely popular This Is the Army opened on July 4, 1942 as a benefit for the Army Relief Fund. Two non-traditional adaptations of traditional stories also achieved success: Billy Rose’s all-black Carmen, entitled Carmen Jones (1943) and Beggar’s Holiday (1946), Duke Ellington’s adaptation of The Beggar’s Opera. Among the stars at the Broadway during the 1950s were Sammy Davis, Jr. in Mr. Wonderful (1956) and Ethel Merman in Gypsy (1959).
Notable productions of the 1970s and 1980s included a number of big-name stars and British imports. In 1979, Andrew Lloyd Webber and Tim Rice’s Evita debuted, starring Patti LuPone and Mandy Patinkin. It was followed by a revival of Zorba (1983) with Anthony Quinn, Yul Brynner’s farewell performances of The King and I (1985), and Bob Fosse’s final Broadway show, Big Deal (1986). Les Miserables, another British hit, opened in 1987, but transferred to the Imperial in 1991 to make room for Miss Saigon.
Other shows at the Broadway include Blast! (2001), Baz Luhrmann’s production of La Bohème (2002), Bombay Dreams (2004) and The Color Purple (2005). More recent shows include the musicals Shrek (2008), Promises, Promises (2010) and Sister Act (2011).