Das Rheingold - Richard Wagner
08.01.2019 | | Wiener Staatsoper
We can now see how a single drama in which Wotan does not appear, and of which Siegfried is the hero, expanded itself into a great fourfold drama of which Wotan is the hero. You cannot dramatize a reaction by personifying the reacting force only, any more than Archimedes could lift the world without a fulcrum for his lever. You must also personify the established power against which the new force is reacting; and in the conflict between them you get your drama, conflict being the essential ingredient in all drama. Siegfried, as the hero of Die Gotterdammerung, is only the primo tenore robusto of an opera book, deferring his death, after he has been stabbed in the last act, to sing rapturous love strains to the heroine exactly like Edgardo in Donizetti`s Lucia. In order to make him intelligible in the wider significance which his joyous, fearless, conscienceless heroism soon assumed in Wagner`s imagination, it was necessary to provide him with a much vaster dramatic antagonist than the operatic villain Hagen.
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We can now see how a single drama in which Wotan does not appear, and of which Siegfried is the hero, >> Read more
The structure of the opera house was planned by the Viennese architect August Sicard von Sicardsburg, while the inside was designed by interior decorator Eduard van der Nüll.
On May 25, 1869, the opera house solemnly opened with Mozart`s DON JUAN in the presence of Emperor Franz Joseph and Empress Elisabeth.
Today, the Vienna State Opera is considered one of the most important opera houses in the world; in particular, it is the house with the largest repertoire. It has been under the direction of Dominique Meyer, along with musical director Franz Welser-Möst, since September 1, 2010.
Capacity: 2,284 (It offers 1,709 seats, 567 standing spaces, 4 wheelchair spaces, and 4 wheelchair companion seats.)