Michael Dangl / Simon Höfele / Elisabeth Brauß

Performers:

Michael Dangl, reading
Simon Höfele, trumpet
Elisabeth Brauß, piano

How fascism manipulates free will – is the subject of the novella »Mario and the Magician« by Nobel Prize winner Thomas Mann, written between 1926 and 1929. The author tells his story about the magician and hypnotist Cipolla against the backdrop of fascist and nationalist Italy – a few years before Hitler came to power in Germany in 1933. In Mann\'s parable on fascism, hypnosis serves as a metaphor for the seduction of society against its will through the manipulation of an authoritarian, abysmal leader.

programme

Michael Dangl liest Thomas Manns »Mario und der Zauberer«

Werke von Paul Hindemith, Arthur Honegger, Jean Françaix, Erwin Schulhoff u. a.

Place

Le Konzerthaus de Vienne (en allemand : Wiener Konzerthaus) est une salle de musique autrichienne inaugurée en 1913.

Le Konzerthaus possède quatre salles :

La Grande salle (Großer Saal) de 1840 places
La salle Mozart (Mozartsaal) de 704 places.
La salle Schubert (Schubertsaal) de 336 places.
La salle Berio (Beriosaal) construite lors des dernières rénovations pouvant accueillir 400 personnes.